When characters in “The Crown” attend the opera, one can usually expect some pointed commentary on the fictionalized British royal family. The genre serves a plot device twice during the fourth season of the Netflix series, as Prince Charles and Diana visit the Royal Opera House at various stages in their troubled relationship (I’ve previously looked at the uses of classical music in seasons one, two and three of “The Crown”).Continue reading “The Crown, Season 4 Puts Opera in the Spotlight”
In the third season of the Netflix series “The Crown,” the story spans the mid-1960s to the late ’70s, a period that allows producers to draw on a rich array of popular music. American songbook standards give way to rock anthems by the Kinks, the Four Seasons, Deep Purple, the Who and David Bowie, among others. As in the first season and second season, music is often tied to on-screen sources, as when Princess Anne blasts Bowie’s “Starman” on a car radio as she speeds to the palace one night.Continue reading “The Crown Season 3 Soundtrack Features Beethoven, Chopin”
As in the first season of the Netflix original series “The Crown,” Season Two uses classical music at key moments to heighten the drama, while also deftly mixing in 1950s pop songs and the original score by Rupert Gregson-Williams and Lorne Balfe. Continue reading “The Crown and Classical Music: Season Two Recap”
This post refers to the first season of ‘The Crown.’ Here is a look at classical music in Season Two.
In the Netflix original series “The Crown,” music plays a significant role in heightening the drama and majesty of the British throne. A glance at the show’s IMDB page reveals that this is no shoestring operation: The music staff numbers some 20 editors, producers, engineers and composers, with much of the soundtrack supplied by British film composer Rupert Gregson-Williams. The cinematic title theme, by Hollywood veteran Hans Zimmer, broadly alludes to the ceremonial music of Henry Purcell. Continue reading “The Crown Uses Classical Music to Dramatize Monarchy”