In 1979 a critic for the New York Times confronted Michel Legrand with the criticism that his popular music was sentimental, “trite and treacly.” The occasion was the premiere of the off-Broadway adaptation of Jacques Demy’s film “The Umbrellas of Cherbourg,” with Legrand’s sung-dialogue score.
Continue reading “Michel Legrand: The Easy-Listening Modernist”Michel Legrand: The Easy-Listening Modernist
