The Leeds Competition and Jury Reforms

Competitions have a long history as being classical music’s talent mills. While almost all aim to launch artists’ careers, in practice, their track record is famously inconsistent. One frequent complaint holds that interesting and idiosyncratic performers often get bypassed in favor of “consensus” candidates that win over juries. But musicians continue to compete and the biggest contests still generate a certain amount of media attention (albeit nowhere near the level of Van Cliburn’s 1958 win at the Tchaikovsky Competition, pictured above). Continue reading “The Leeds Competition and Jury Reforms”